Individually formed using hand building techniques. Created in my home, and fired at my local community kiln!

I used a mix of photo references and 3D scans of actual bird skulls to hand sculpt this piece, taking artistic liberties here and there.

Made from midfire clay, and decorated with underglaze and porcelain paint. 

Imperfections reflect handmade nature.

Dimensions: approx. 14cm L x 5.5cm W x 6.5cm H

How to care for your ceramic sculpture:

To clean, wipe with a soft, damp cloth

Memento Mori

Over the past few years, as people in my life have inevitably passed, I’ve become more drawn to the question of what it means to die, or to be dead, and how we reconcile the death of those we love, while we are still living. 

Memento Mori (“remember, you must die”) is a Latin phrase that seeks to reminds us that life is temporary, transitory, and once. 

Though a lot of people prefer not to think of death, particularly after experiencing loss, I’ve personally found it to be therapeutic; both for processing grief, and for confronting my own mortality. 

I’ve focused on birds skulls in particular for a few reasons.

I find the external visibility of their beaks very interesting aesthetically – the way they’re connected to their skulls makes which bird you’re looking at in death recognisable – unlike other animals, which are more ambiguous (including us). 

The second reason is that it really is true: bird watching does creep up on you as you get older. 

A family of five Magpie’s hang out in front of our house, and our local cemetery is filled with Crows; Minor Birds, Black Birds, Little Wattle Birds and Pigeon’s fly in and out of our backyard all day. I see birds, both dead and alive, all the time. It made sense to recognise them this way.

And the third reason: birds are the descendants of dinosaurs. That they exist alongside us is a great reminder that, despite death not being optional, vestiges of us remain –  transmuted into other forms x